The trail led her to Aguleri, a town clinging to the banks of the Omabala River. The elders at the palace of the Eze did not want to talk. But an old dibia (native doctor) named Okonkwo agreed to meet her under a silk-cotton tree.
“Why did my father search for this?” she asked.
“Ozoemena Nsugbe, Aguleri bu isi Igbo...”
Nneka didn’t know if she believed in curses or lost skulls or the “Head of Igbo.” But she realized that a search history is never random. It is a map of what we have forgotten. And sometimes, when you search for a forgotten name, the forgotten name searches back for you. The trail led her to Aguleri, a town
“You searched for a ghost,” Okonkwo said, his voice like dry leaves. “Ozoemena Nsugbe was not a chief. He was the Onowu —the prime minister of war. When the white men came, they did not conquer Aguleri. They signed a treaty. But Ozoemena refused. He said, ‘An Igbo man’s head does not bow.’ So they poisoned him.”
She spent the next week digging through the digital graveyard of HighlifeNg, a blog dedicated to preserving forgotten vinyl records. She found comments under the song: “My grandfather said Ozoemena’s shrine is still there.” “The British feared him more than any king.” “They say his skull is buried under the new courthouse.”
The browser tab sat open on Nneka’s laptop, the words glowing in the dim light of her Lagos apartment: “You searched for Ozoemena nsugbe Aguleri bu isi igbo - HighlifeNg” “Why did my father search for this
That night, Nneka sat in the hospital and played the song again on her phone, holding the speaker to her father’s ear. For the first time in three days, his fingers twitched. He opened his eyes and whispered, not to her, but to the song:
He leaned closer. “But before he died, he cursed them. He said, ‘Aguleri bu isi Igbo’ —Aguleri is the head of the Igbo nation. Without the head, the body wanders. And for a hundred years, we have wandered. Civil war. Endless arguments. No true leader.”
The dibia smiled. “Because your father is Ozoemena’s great-great-grandson. And the last line of the song says, ‘Nwoke a na-efu efu ga-alọta’ —The lost man shall return.” And sometimes, when you search for a forgotten
A crackling Highlife song filled the room. The guitar was mellow, the horns distant, as if recorded in a different century. Then, a deep voice began to chant:
She hadn’t typed it. Her father had, just before his stroke. Now he lay in a hospital bed, unable to speak, his only clue a frantic finger tapping on his phone screen before his hand went limp. Nneka pressed play on the only search result.
“E muo gbara m aka… the spirit called me home.”
She closed the laptop. The song kept playing in her head. The search was over. But the journey had just begun.
The Search for the Head of Igbo