The Infinite Scroll: Why We Keep Coming Back to the Familiar
This is the paradox of the modern content landscape. We have more access to independent, bizarre, and challenging art than ever before—Brazilian psychedelic horror, experimental Polish animation, avant-garde Cambodian rap. It is all two clicks away. Yet, most of us will re-watch The Office for the seventeenth time. Vixen.16.08.17.Kylie.Page.Behind.Her.Back.XXX.1...
Look at the top of any streaming chart on a given Monday morning. You will likely see a pattern: a reboot of a 90s sitcom, a superhero sequel, a true-crime docuseries using the same ominous font as the last three you binged, or a fantasy adaptation of a book series you read a decade ago. The Infinite Scroll: Why We Keep Coming Back