The Synchro-Lens was destroyed by university lawyers. The files were deleted. But rumors persisted that somewhere on the dark web, a single recording survived: six hours labeled “Dr. Sugimoto—Final Treatment.” No one who listened to it ever spoke of what they felt.
The end came not from the police, nor from a vengeful survivor, but from the machine itself. Neural pathways, once forged, become roads. The more he traveled the roads of cruelty, the more those roads grew inside him. After the twelfth subject—a former teacher named Yuki—Sugimoto felt something crack. Not in the chair. In himself. The Synchro-Lens was destroyed by university lawyers
The chair was Sugimoto’s true masterpiece. It could not only record sensation but amplify it, feeding back loops of pleasure, fear, submission—any frequency the wearer produced. He called it “Lecherous Treatment” in his private notes, a phrase he typed with clinical detachment. Sugimoto—Final Treatment
For six hours, he fed her manufactured sensations—violations of trust, invasions of dignity, the slow burn of helplessness. He watched her vitals spike and crash like a dying star. And he recorded every millisecond. The more he traveled the roads of cruelty,
Later, alone in his quarters, he played the recording back through the chair. He closed his eyes. He felt what she had felt. And for the first time in years, Dr. Sugimoto smiled.
One night, he strapped in a young woman named Rei. She had been living in an internet café, three months behind on everything. She trusted his white coat, his gentle voice, the promise of 50,000 yen.
He repeated the process. Each victim was a new instrument, each terror a new symphony. He became connoisseur of suffering. He told himself it was research. He told himself the breakthroughs in anxiety treatment would justify everything. But late at night, he no longer bothered with justifications. He simply put on the headset and swam in other people’s nightmares.