Sin Senos No Hay Paraiso -
Albeiro laughed, but he kept watching. A week later, he sent her a gift: a voucher for a clinic in Bogotá. The procedure was called breast augmentation. Silicone. Four hundred cubic centimeters.
“You pay later,” the clinic’s receptionist said with a knowing smile.
But Catalina had seen the math of the world. A secretary earned two hundred dollars a month. A narco’s girlfriend had a Jeep, a house with marble floors, and a photo on the cover of Aló magazine. The equation was brutal and simple. Sin Senos no hay Paraiso
The village of Pereira clung to the side of a mountain like a secret. For Catalina Santana, a girl of fourteen with ink-black hair and eyes too old for her face, the village was a cage. The only window to the world was a cracked television set in her mother’s kitchen, and through that window, Catalina saw paradise.
Catalina straightened her spine. “Looking for a man who can appreciate a woman… once she becomes one.” Albeiro laughed, but he kept watching
“What’s a little dove like you doing here?” he asked, his eyes not on her face.
One afternoon, she borrowed a push-up bra from Paola, stuffed it with toilet paper, and walked to the edge of the village where the black SUVs with tinted windows idled. A man named Albeiro, a thin, cruel-faced sicario with a gold front tooth, leaned against his truck. Silicone
Catalina signed the paper without reading the interest rate. After the surgery, the world tilted. Men on the street turned their heads. The nuns at school crossed themselves. Her mother, when she found the medical receipt, wept so hard she couldn’t speak for two days. “You sold yourself before anyone even bought you,” Hilda finally said.
That night, Albeiro backhanded her for talking to another man. The taste of blood was coppery and final. Catalina escaped not with a grand plan but with a bus ticket hidden in her shoe. She left the white purse, the cell phone, the push-up bras. She walked twelve kilometers to the highway, her chest aching where the silicone had settled wrong, a constant dull reminder of the price she had paid for a door that had turned out to be a wall.
