Masterclass - Neil Gaiman Teaches The Art Of St... -

Neil stands in front of a whiteboard. He draws a wavy line. "Fiction is the lie that tells the truth. You have to convince the reader that your world is real—even if that world has gods living in America or a boy with a lightning bolt on his forehead. The moment they stop believing, you’ve lost them. So, how do we build belief? We start with specifics."

He sits in a garden, pulling weeds. "Every young writer asks me: 'How do I find my voice?' You don't find it. You earn it. Write a million words. That’s the price of admission. The first 900,000 are just practice. Your voice is the sum of everything you’ve ever read, loved, hated, and forgot you remembered. Stop trying to sound like Hemmingway. Sound like you." MasterClass - Neil Gaiman Teaches the Art of St...

"When I was a kid, I didn’t think I was going to be a writer. I thought I was going to be a superhero. Then I realized no one was going to give me X-ray vision, so I decided to build worlds instead." Neil stands in front of a whiteboard

NEIL GAIMAN TEACHES THE ART OF STORYTELLING You have to convince the reader that your

Cut to a desk covered in index cards. "There are two kinds of writers: architects and gardeners. Architects know every room, every joist. Gardeners throw a seed in the ground and see what grows. I am a gardener. For The Ocean at the End of the Lane , I had a boy, a pond, and an old woman. That was it. The plot came from asking: 'What would happen if...?' But here’s the secret: character is plot. What does your character want more than anything? And what happens if they don't get it?"