| XTC Discography |
| Revision 5.83s (26 July 2025) |
This discography copyright © 1988-2025 by John Relph.
Contents:
- Summary
- A concise list of everything ever released.
- Recent Updates
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- A short list of recent updates.
- Albums
- Regular XTC album releases.
- Singles and EPs
- Regular XTC singles and EPs.
- Collections, Retrospectives and More
- Collections of album and non-album tracks.
- Promotional Releases and Giveaways
- Radio station and record store stuff that collectors love.
- Interviews and Radio Shows
- For radio broadcast only.
- Unauthorized Releases
- Bootlegs, pirates, and counterfeits.
- The Dukes of Stratosphear
- The psychedelic alter-egos.
- Other Extracurricular and Solo Activity
- Solo works and releases in disguise with diamonds.
- Guest Appearances and Collaborations with Other Artists
- From cameos to co-writing.
- Compilations of Various Artists
- XTC: one-hit wonders.
- Rumoured and Future Releases
- I can neither confirm nor deny.
- The Fine Print
- Copyright and key to abbreviations.
This discography compiled, edited, and formatted by John Relph. Much information has come from the wonderful Wonderland XTC discography compiled by Shigemasa Fujimoto (Thanks!). Some information was also found in and/or verified by Brad Nelson's (Bremerton, Washington) XTC Discography.
I am indebted to the maintainers of these other discographies for additional information:
Dave Gregory (Mark Strijbos and Debie Edmonds)
The Big Dish (Simon Young)
Clark Datchler (John Berge)
Louis Philippe (Mr. Sunshine)
Dr. Demento (Jeff Morris)
Hüsker Dü (Paul Hilcoff)
Discogs (you and me)
Thanks go out to these additional contributors:
Sebastián Adúriz, Stephen Arthur, Klaus Bergmaier, Todd Bernhardt, Philippe Bihan, Fredrik Björklund, Allan Blackman, Patrick Bourcier, Barry Brooks, Jean-Christophe Brouchard, David Brown, Chris Browning, Stephen Bruun, Darryl W. Bullock, Justin Bur, Giancarlo Cairella, James Robert Campbell, Justin Campbell, Pedro Cardoso, Damon Z Cassell, Alberto M. Castagna, Jean-Philippe Cimetière, Chris Clark, William Alan Cohen, Britt Conley, Doug Coster, Al Crawford, Paul Culnane, Ian Dahlberg, Michael Dallin, Gary L Dare, David Datta, Adam Davies, Duane Day, Stefano De Astis, André de Koning, Simon Deane, Marcus Deininger, Tom Demi, Kevin Denley, Chris Dodge, Morgan Dodge, Chris Donnell, Charlie Dontsurf, François Drouin, Jon Drukman, Johan Ekdahl, Charles Eltham, Remco Engels, Stewart Evans, John C Falstaff, Mark Fisher, Peter Fitzpatrick, Martin Fopp, Dave Franson, Mitch Friedman, Martin Fuchs, A. J. Fuller, André Garneau, Greg Gillette, George Gimarc, Giovanni Giusti, David Glazener, Mark Glickman, Mike Godfrey, Marshall Gooch, Ben Gott, John Greaves, Robert Hawes, Jude Hayden, Scott Haefner, Reinhard zur Heiden, Phil Hetherington, Paul Hosken, Toby Howard, Bill Humphries, Johan Huysse, James Isaacs, Naoyuki Isogai, Joe Jarrett, Shane Johns, Owen Keenan, Tom Keekley, Howard Kramer, Augie Krater, Philip Kret, Jacqueline Kroft, Marcus Kuley, Mark LaForge, Kai Lassfolk, Matthew Last, Dom Lawson, Peter E. Lee, Steve Levenstein, Björn Levidow, Christer Liljegren, Thomas R Loden, Holger Löschner, Peter Luetjens, Joe Lynn, Delia M., J. D. Mack, Claudio Maggiora, Emmanuel Marin, Don Marks, Marc Matsumoto, Yoshi Matsumoto, Niels P. Mayer, Scott A. C. McIntyre, Gary Milliken, Derek Miner, Pål Kristian Molin, Martin Monkman, Bill Moxim, Rolf Muckel, Brad Nelson, Lazlo Nibble, Gary Nicholson, Pär Nilsson, Gez Norris, Todd Oberly, Jefferson Ogata, Marc Padovani, Barry Parris, Mike Paulsen, David A. Pearlman, Richard Pedretti-Allen, Joe Perez, Barbara Petersen, Dan Phipps, John J. Pinto, Joe Radespiel, Martin van Rappard, Robert R Reall, Melissa Reaves, Joachim Reinbold, Ola Rinta-Koski, Dougie Robb, Paul Pledge Rodgers, Michael Rose, Jon Rosenberger, Ira Rosenblatt, Shawn Rusaw, Mark Rushton, Egidio Sabbadini, Annie Sattler, Steve Schechter, Timothy M. Schreyer, Erich Sellheim, Steven L. Sheffield, Tetsuya Shimizu, Hisaaki Shintaku, Jim Siedliski, Chris Sine, Dean Skilton, Christopher Slye, Frédéric Solans, Ian C Stewart, Bill Stow, Ken Strayhorn Jr., Mark Strijbos, Jeffrey Thomas, Jon Thomas, Robert C Thurston, Patrick Trudel, Adam Tyner, T P Uschanov, Maurits Verhoeff, Tim "Zastai" Van Holder, Jonas Wårstad, Duncan Watson, Jeff White, Bill Wikstrom, Wes Wilson, Kim E. Williams, David Wood, Paulo X, David Yazbek, Brett Young, Takada Yuichi, Jim Zittel.
Note: This document is available as both a multi-part document (more appropriate for web surfing), and a single document (suitable for printing). A plain text version is also available. A concise XTC discography (more of an overview) is also available. Recent changes to this document are indicated by type, are listed in the Recent Updates section of the Summary, are available in unified diff format, and are also available as an RSS feed.
The Toro 675 GTS is not a luxury item; it is a tool of virtue. It appeals to the homeowner who values the ritual of lawn maintenance over the sterile silence of a robot mower. By combining a robust, manual-start engine with an ergonomic push frame and an ecologically intelligent cutting deck, Toro created a device that dignifies labor. The "Manuel Tondeuse Toro 675 GTS" is, therefore, an essay in itself—written in steel and gasoline—about the enduring relationship between human will and the suburban landscape. It proves that sometimes, the best technology is the kind that still requires you to walk behind it.
Where the Toro 675 GTS transcends mere utility is in its cutting deck. Unlike side-discharge mowers that scatter clippings like confetti, the Toro "Recycler" deck is a closed system. It chops grass clippings into fine particulates and forces them back down into the soil. This is a subtle form of ecological engineering: it reduces landfill waste (no bagging), returns nitrogen to the earth, and eliminates the visual clutter of windrows. The manual operator of the 675 GTS becomes a participant in a sustainable loop. You are not just cutting grass; you are mulching a biome.
No essay on the Toro 675 GTS would be complete without acknowledging its shadows. As a "manuel" mower, it is heavy. The steel deck, while durable, can weigh upwards of 60 pounds, making turning radii a workout. Furthermore, the 675 series engine, while reliable, is carbureted. In an age of fuel stabilizers and ethanol-blended gasoline, the "Guaranteed to Start" promise hinges entirely on the owner’s diligence to drain the fuel at season’s end. Neglect turns the GTS into a stubborn lump of metal. It is a machine that demands respect, not neglect. manuel tondeuse toro 675 gts
It is important to clarify that “Manuel Tondeuse Toro 675 GTS” is not a historical figure or a philosophical treatise. Instead, this string of words refers to a specific piece of machinery: the manual push lawn mower (tondeuse à gazon manuelle).
In the pantheon of domestic engineering, few objects bridge the gap between chore and craftsmanship as effectively as the lawn mower. Among the myriad options available to the homeowner, the (Guaranteed to Start) manual push mower occupies a unique space. At first glance, it appears to be a simple assembly of steel blades, plastic wheels, and an aluminum deck. Upon closer inspection, however, the "Manuel Tondeuse Toro 675 GTS" reveals itself as a masterclass in user-centered design, balancing mechanical efficiency with the brute simplicity of human labor. The Toro 675 GTS is not a luxury
However, for the sake of this essay, we will treat the not just as a tool, but as a case study in industrial design, ergonomics, and the evolution of lawn care. Below is an analytical essay on the subject. Title: The Art of the Cut: Deconstructing the Toro 675 GTS Manual Mower
The most defining feature of the Toro 675 GTS is its powertrain—the legendary Briggs & Stratton 675 Series engine. Unlike electric or battery-powered contemporaries that tether the user to a charging schedule, this manual-start engine represents a form of mechanical autonomy. The "GTS" (Guaranteed to Start) system is not mere marketing jargon; it is an engineering response to the frustration of pull-cords. By incorporating a primer bulb and an automatic choke, Toro reduced the physical barrier to entry. In an era of increasing technological complexity, the manual pull-start of the 675 GTS offers a tactile, honest transaction: human effort in, rotary power out. The "Manuel Tondeuse Toro 675 GTS" is, therefore,
The word "manuel" (manual) in the query is critical. This mower does not propel itself; it is an extension of the operator’s body. Toro engineers focused heavily on the Personal Pace system, though the fixed-speed 675 variant relies on pure human thrust. The handlebar is designed with soft-grip polymers and a height adjustment that accommodates a range of statures, from the 5-foot suburbanite to the 6-foot landscaper. The rear-wheel drive (on specific variants) assists the operator, reducing the anaerobic strain of pushing through thick fescue. This is a machine that understands the biomechanics of walking; it converts forward momentum into a clean, scissor-like cut via its recycler cutting deck.
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Revision 5.83s (26 July 2025)