For viewers seeking an erotic film that engages the mind as thoroughly as the body, Dorcel’s 2024 offering is a lush, cerebral, and surprisingly tender exploration of love’s most dangerous game—pretending to be a stranger with the one who knows you best.
Unlike a standard gonzo production, By Any Other Name is a slow-burn psychodrama wrapped in the opulent trappings of bourgeois decadence. It is not merely about sex; it is about the architecture of desire—the unspoken rules, the power of a glance, and the eventual, inevitable collapse of restraint.
The film’s narrative centers on two primary protagonists: (played by a striking newcomer, credited as Alix Castel ), a sharp, observant literature professor in her late 30s, and Raphael ( Raphael Lafont ), a charismatic but emotionally guarded gallery owner. They have been married for a decade. The marriage, outwardly perfect, is internally sterile—a museum of curated affection rather than a living, breathing passion. By Any Other Name -DORCEL- -2024-
Upon its release on Dorcel’s streaming platform and subsequent DVD/Blu-ray release in Q2 2024, By Any Other Name drew comparisons to Radley Metzger’s 1970s classics ( The Image , The Opening of Misty Beethoven ) and Paul Verhoeven’s Benedetta for its refusal to separate theology from sexuality.
By Any Other Name (Dorcel, 2024): A Rose of Desire in a Garden of Power Director: Luca De Sade (as credited) Studio: Dorcel (Marc Dorcel) For viewers seeking an erotic film that engages
The inciting incident is a masquerade ball hosted at a chateau outside Lyon. The theme is “The Unseen Self.” Guests are required to wear masks that obscure not just their faces but their perceived identities. It is here that Alix, donning a delicate silver domino mask, encounters a stranger in a black leather half-mask. Their conversation is electric, intellectual, and deeply flirtatious. She does not realize—or perhaps subconsciously chooses not to—that the stranger is her own husband.
The first act culminates in a clandestine encounter in the chateau’s library. The sex is raw, desperate, and unfiltered—a stark contrast to the tender, scheduled intimacy of their home. It is, ironically, the most authentic moment of their relationship in years. The film’s narrative centers on two primary protagonists:
In the landscape of 2024’s adult cinema, where rapid consumption often trumps narrative depth, Dorcel—the French studio synonymous with high-gloss, narrative-driven erotica—has continued its tradition of crafting feature-length films that prioritize mood, aesthetic, and psychological tension. By Any Other Name (2024) stands as a particularly ambitious entry in their catalog. Directed by Luca De Sade, the film’s very title, a direct allusion to Shakespeare’s Romeo and Juliet (“That which we call a rose by any other name would smell as sweet”), signals a preoccupation with identity, forbidden longing, and the arbitrariness of social labels.