Literary Labor: Radclyffe Hall’s Reproductive Futures

Hannah Roche

Peer Reviewed

From the Print Journal

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** PULL** ** UP** Font mood: Like a militarized Eurostile or a slanted Bank Gothic — every letter feels vectored, urgent, and stripped of nonessential curves. The oblique angle suggests forward motion; the condensation compresses information into tactical density.

Below, a fine line of static:

A cockpit heads-up display (HUD) fragment. The font cuts through a dark, radar-blue gradient background — sharp, slanted, and tightly spaced, like data streaming just before a Mach break. avionic condensed bold oblique font

INIT >> FLT 271 HDG 184° TRK 3.2 GS 0.84 M V/S -1200 fpm Then, in larger condensed oblique: ** PULL** ** UP** Font mood: Like a

A book cover for “Fly-by-Wire: The End of Mechanical Flight” or a poster for an electronic music set called GLIDESLOPE . radar-blue gradient background — sharp

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About the Author(s)

Hannah Roche

Hannah Roche is Senior Lecturer in Twentieth-Century Literature and Culture at the University of York. She is the author of The Outside Thing: Modernist Lesbian Romance (Columbia University Press, 2019) and co-editor of the first Oxford World’s Classics edition of Radclyffe Hall’s The Well of Loneliness (2024).